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Film Workshop II

Film Workshop II

Code	13098
Year	2
Semester	S1
ECTS Credits	6
Workload	OT(15H)/TP(45H)
Scientific area	Cinema
Entry requirements	---
Mode of delivery	-- face-to-face
Work placements	-- No
Learning outcomes	This course unit is divided into three distintic areas of cinematographic creation: image, sound and editing. Each student will be able to choose an area to acquire knowledge. In the image 1) the student must be able to develop the technical lighting capacity; 2) Deepen the technical and aesthetic sense of light and shadow; 3) Plan and make decisions in a filming set. In sound, the student must be able to 1) Identify the different phases of the sound process of a film; 2) Be capable to do the sound capture; 3) Perform all stages of sound post-production. In editing it is intended that the student deepens knowledge of advanced techniques of cinematographic editing, and their integration in the post-production process. 1) Specialize technical knowledge using professional editing tools. 2) Analysis of the editor's work process, from choosing raw materials to final editing. 3) Develop the ability to make narrative and visual solutions.
Syllabus	IMAGE - Develop the technical capacity to illuminate - Natural and artificial light - Key light; Fill light, backlight -Aesthetic sense of light and shadow - the role of different image positions - choice of equipment - indoor and outdoor lighting techniques - Color Correction and grading SOUND - Direct sound capture - microphones - Digital recording systems - Mixing tables - Capture techniques - Digital audio workstations - Audio software - Import, Signal Routing, Editing Tools, Export - Effects - Analysis and application of dynamic, temporal, spatial and digital effects - Processing - Modulation - Spatialization of sound (stereo and binaural) - MIDI Samplers - Foley - ADR - Folding - Mixing / Mastering EDITING 1. Assembly Tools 2. The mounting path. 2.1 Approaches to viewing and selecting material. 3. Assembly Practice. 3.1. Practice of editing techniques applied to the development of points view, dialogs, duration, rhythm, music, voice off and silence. 3.2 Choice and struct
Main Bibliography	MASCELLI, Joseph V, The Five Cs of cinematography: Motion picture filming techniques, Silman-James, cop. 1965 ALTON, John, Painting With Light, University of California Press; First Edition,2013 BROWN, Blain, Cinematography: Theory and Practice: Image Making for Cinematographers and Directors; Focal Press; 3rd Edition, 2016 CHION, Michel, A audiovisão: Som e imagem no cinema, Lisboa, Texto & Grafia, 2011 FONSECA, Nuno, Introduc¸a~o a` Engenharia de Som, Lisboa, Lidel/FCA, 2007 CARVALHO, Fausto, Composição e Produção Musical com o PC, Lisboa, FCA, 2003 MARQUES, Miguel, Sistemas e Te´cnicas de Produc¸a~o A´udio, Lisboa, Lidel/FCA, 2014 BRICCA, Jacob (2017). Documentary Editing: Principles & Practice. Nova Iorque,Focal Press. CRITTENDEN, Roger (2006). Fine Cuts: The Art of European Film Editing. Oxford,Focal Press. FRIERSON, Michael (2018). Film and Video Editing Theory: How Editing Creates Meaning. Nova Iorque, Focal Press. HAINE, Charles (2020). Color Grading 101: Getti
Language	Portuguese. Tutorial support is available in English.