Learning outcomes |
At the end of this Unit, the student must be able to:
a) Acquire collective dynamics skills as well as practices of planning and execution of film projects, according to specific logistic constraints b) Operationalize, in a practical context, the procedures and instruments previously acquired in the laboratory units, aiming to create a short film c) Think critically, and in an organized way, on the work in progress teams.
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Main Bibliography |
FELANDO, Cynthia (2015). Discovering Short Films The History and Style of Live-Action Fiction Shorts. PATZ, Deborah (2010). Film Production Managment 101. Studio City, CA: .Michael Wise Productions. RABIGER, Michael (2004) Directing the Documentary, 4ª Edição, Focal Press STEVEN, Katz D. (1991). Film Directing, Shot by Shot, Visualizing from Concept to Screen, Michael Wise Productions.
Filmography: O Pedido de Emprego (2000), de Pedro Caldas Domingo (2005), de José Filipe Costa Fim-de-Semana (2007), de Cláudia Varejão A Felicidade (2008), de Jorge Silva Melo Pele de Cordeiro (2015), de Flávio Ferreira A brief history of Princess X (2016), de Gabriel Abrantes Thrusday Night (2017), de Gonçalo Almeida Teus Braços, Minhas Ondas (2018), de Débora Gonçalves Da Capo (2019), de Mário de Oliveira Alva (2018),de Guilherme Alvão Nogueira e Jorge Lucas Criados na Serra (2016),de Maria Inês Santos Mais azul (2019),de Apolo Santos, Laura Tovela Flor de Lótus (2018),de Marisa Alves Pedro et alli
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