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Conteúdos programáticos |
1. Ensaio Audiovisual
1.1. Criação e Apropriação: prática intermediática e intertextual
1.2. Análise e discussão dos textos "The Work of Theory in the Age of Digital Transformation", de Henry Jenkins, "The audiovisual essay as performative research", de Catherine Grant, e "O Potencial Crítico do Ensaio Audiovisual Digital", de Tiago Baptista.
1.3. Visionamento e análise de Ensaios Audiovisuais.
2. Desktop Documentary
2.1. Prática intermediática na investigação em artes
2.2. Análise e discussão dos textos "Integrating Creative Practice and Research in the Digital Media Arts", de Andrew R. Brown e Andrew Sorensen, e "Suture Goes Meta: Desktop Documentary and its Narrativization of Screen-Mediated Experience", de Jirí Anger e Kevin B. Lee
2.3. Visionamento e análise de Desktop Documentaries
3. Acompanhamento de projetos
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Bibliografia principal |
Jacobson, L. (Ed.) (1992). CyberArts – exploring art & technology. San Francisco, CA, US: Miller Freeman.
Landow, G. (Ed). (1994) . Hyper, Text, Theory. Baltimore: The Johns Hopkins University .
Murray, J.(1997). Hamlet on the Holodeck: The Future of Narrative in the Cyberspace.Cambridge: MIT Press
Jenkins, H. (2013). Spreadable media. New York, NY, US: New York University Press.
Manovich. L. (2001). The Language of New Media. Cambridge: MIT Press.
Lunenfeld, P. [Ed.] (2001). The digital dialetic - New essays on media [1999].Massachussets, MA, US: MIT Press.
Dixon, S, (2007) Digital Performance, Cambridge, MA & London: The Mit Press
Kaye, N. (2007), Multi-Media: Video, Installation, Performance, London: Routledge.
Maciel, K. (Org.) (2009). Transcinema. Rio de Janeiro: Contra Capa.
Balsom, E (2017). After Uniqueness: A History of Film and Video Art in Circulation. New York: Columbia University Press.
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