| Code |
10945
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| Year |
1
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| Semester |
S1
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| ECTS Credits |
6
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| Workload |
OT(15H)/TP(45H)
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| Scientific area |
Cinema
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|
Entry requirements |
There are not.
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Mode of delivery |
Face-to-face
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|
Work placements |
Not applicable
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Learning outcomes |
To conclude, with success, the curricular unit of History of Cinema, the student should be able to:
1. Analyze a film using a language specifically cinematographic;
2. To recognize and identify the main movements, authors, aesthetics and technologies of the History of Cinema;
3. Critically distinguish cinema as an art, medium of communication and / or product of a creative industry;
4. Contextualize socially, politically and culturally the most important film works, movements and production systems in the History of Cinema;
5. Establish a dialogue between film and elements of gender present in the work, facing Cinema as a mean of representing different social roles attributed to men and women throughout the twentieth century and the beginning of the twenty-first century.
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Syllabus |
- Basic notions of filmology and cinematographic language: shots scale, camera movements, sound and image.
- Film analysis: study of the narrative, as well as the work of direction, editing, sound, photography, art and production; recognition of the production context, influences and technical advances of the work; interpretation of the filmic text.
- Historical evolution of Cinema, from the invention of the cinematographer, through the most remarkable artistic movements, in Classicism and Modernity, to contemporary cinema and to new minority and emerging cinematographies.
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Main Bibliography |
- Aumont, Jacques & Marie, Michel (2009). Dicionário Teórico e Crítico do Cinema. Lisboa: Texto e Grafia.
- Cousins, Mark (2005). Biografia do Filme. Lisboa: Plátano.
- Nowell-Smith, Georffrey (ed.1997). Oxford History of World Cinema. Oxford University.
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Language |
Portuguese. Tutorial support is available in English.
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