| Code |
13082
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| Year |
1
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| Semester |
S2
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| ECTS Credits |
6
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| Workload |
OT(15H)/TP(45H)
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| Scientific area |
Cinema
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Entry requirements |
Nothing to add.
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Mode of delivery |
Presential.
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Work placements |
Not suitable.
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Learning outcomes |
This course aims to approach cinema in a philosophical perspective. It is intended to philosophically question cinema from particular concepts, authors and specific films.
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Syllabus |
- Proposals for a common genealogy to human rights and feminisms. The philosophical and political foundation of women's rights and the emergence of the seventh art.
- The first filmmakers: the cases of Alice Guy Blaché (France, 1863 - 1968), Lois Weber (USA, 1879 - 1939) and Germaine Dulac (France, 1882 - 1942).
- What is cinema? Do art and cinema think? How to create a philosophy of cinema? Perspectives of André Bazin and Gilles Deleuze.
- The philosophy of Alfred Hitchcock (1899 - 1980): the viewer as a voyeur.
- Feminism applied to cinema. Reflection around the proposals of Laura Mulvey, Claire Johnston, Annette Kuhn, Teresa de Lauretis and Christine Gledhill, among others.
- Criticism of classic Hollywood cinema and the perpetuation of stereotypes.
- The proposal of alternatives to an exploration of pleasure and sexuality on the big screen.
- From the universal gaze to the need to create their own identification mechanisms.
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Main Bibliography |
Deleuze, G. (2006). A imagem-tempo 2: Cinema 2. Lisboa: Assírio & Alvim.
Holanda, K. (org.), 2019). Mulheres de cinema. Rio de Janeiro: Numa Editora.
Kuhn, A. (1991). Women’s pictures, Feminism and Cinema // Cine de mujeres, Feminismo y Cine. Madrid: Catedra, Signo e Imagen.
Ranciére, J. (2010). O espectador emancipado. Lisboa: Orfeu Negro.
Sontag, S. (2015). Olhando o sofrimento dos outros. Lisboa: Quetzal Editores.
Mondzain, M.-J. (2015). Homo spectator. Lisboa: Orfeu Negro.
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Language |
Portuguese. Tutorial support is available in English.
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