| Code |
16639
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| Year |
3
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| Semester |
S1
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| ECTS Credits |
6
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| Workload |
OT(15H)/TP(45H)
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| Scientific area |
Cinema
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Entry requirements |
Not applicable.
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Learning outcomes |
The main objective of the module is to operationalize the concept of “cinephilia”. Students should be able to: 1) Discuss the characteristics of cinema spectators 2) Frame “cinephilia” in the history of cinema; 3) Operationalize cinephilia through cinema programming.
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Syllabus |
1. The cinema spectator. Characterization of the spectator's figure from films.
2. Cinephilia: contextualization. The “old” and the “new” cinephilia.
3. Operationalize cinephilia: cinema programming.
4. Presentation in class of a work consisting of a program and carrying out at least one session within the scope of the Ubian Artistic Residencies.
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Main Bibliography |
1968.Cosac Naify.
Mendonça, Luís (2016). "Crítica e cinefilia – dos Cahiers amarelos à nova democracia digital". Revista Camões, nº 24.
Bosma, Peter (2015) Film programming, curating for cinemas, festivals and archives, Ed. Short Cuts.
Menotti, Grabriel (2018). Curadoria, cinema e outros modos de dar a ver. Ed. da Universidade Federal Espírito Santo
Shambu, Girish (2019). “Por uma nova cinefilia”. Revista Cinética [Orig. Film Quarterly]
Filmography:
Shirin (2008), de Abbas Kiarostami
Janela indiscreta / Rear window (1954), de Alfred Hitchcock
O espectador espantado (2016), de Edgar Pêra
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Teaching Methodologies and Assessment Criteria |
The debate in a classroom context on cinema spectatorship, cinephilia and cinema programming, allows for a better definition of programming ideas, and the preparation of this programming also includes follow-up sessions by each team of students.
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Language |
Portuguese. Tutorial support is available in English.
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