Bibliografia principal:
Abel, R. (1988). French film theory and criticism: A history/anthology, 1907-1939. Princeton University Press.
Balsom, E. (2013). Exhibiting cinema in contemporary art. Amsterdam University Press.
Hammond, P. (Ed.). (2000). The shadow and its shadows: Surrealist writings on the cinema. City Lights Books.
Iles, C. (Ed.). (1996). Scream and scream again: Film in art. Museum of Modern Art Oxford.
Kaes, A., Baer, N., & Cowan, M. (Eds.). (2016). The promise of cinema: German film theory, 1907-1933. University of California Press.
Leighton, T., & Büchler, P. (Eds.). (2004). Saving the image: Art after film. Centre for Contemporary Arts; Manchester Metropolitan University.
MacKenzie, S. (Ed.). (2014). Film manifestos and global cinema cultures: A critical anthology. University of California Press.
Taylor, R., & Christie, I. (Eds.). (1994). The film factory: Russian and Soviet cinema in documents, 1896-1939. Routledge.