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Bibliografia principal |
Benjamin, W. (2006). A Obra de Arte na Época da Sua Possibilidade de Reprodução Técnica. Lisboa: Assírio & Alvim.
Balsom, E (2017). After Uniqueness: A History of Film and Video Art in Circulation. NY: Columbia UP.
Dixon, S, (2007) Digital Performance, Cambridge, MA & London: The Mit Press
Jacobson, L. (Ed.) (1992). CyberArts – exploring art & technology. San Francisco, CA, US: Miller Freeman.
Jenkins, H. (2013). Spreadable media. New York, NY: New York UP.
Landow, G. (Ed). (1994) . Hyper, Text, Theory. Baltimore: The Johns Hopkins University .
Lunenfeld, P. (Ed.) (2001). The digital dialetic - New essays on media. Massachussets: MIT Press.
Maciel, K. (Org.) (2009). Transcinema. Rio de Janeiro: Contra Capa.
Manovich. L. (2001). The Language of New Media. Cambridge: MIT Press.
Murray, J.(1997). Hamlet on the Holodeck: The Future of Narrative in the Cyberspace.Cambridge: MIT Press
Kaye, N. (2007), Multi-Media: Video, Installation, Performance, London: Routledge.
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