Code |
11111
|
Year |
2
|
Semester |
S2
|
ECTS Credits |
6
|
Workload |
PL(30H)/T(30H)
|
Scientific area |
Design
|
Entry requirements |
Non applicable.
|
Mode of delivery |
Face-to-face instruction.
|
Work placements |
Not applicable.
|
Learning outcomes |
To find the main lines of theoretical and critical thinking that marked the paths of Design framing them in the various contexts, historical, social, economic and cultural. To convey the idea of the need to define the parameters in which the designer's activity is based, to the extent that this need allows students to become aware of the discipline and activity of design. Allow students to know the evolution of design and understand its implications in the social, economic and cultural fields. Transmit knowledge and theoretical tools of history and design theory, which allow to develop the critical and analytical spirit, confronting students with the realization of description sheets, analysis and contextualization of design objects. To raise in the students the reflection on the current trends of design, assuming our cultural reality, integrated in the program of exposed content that lead them to the understanding of design.
|
Syllabus |
What is design: origins and chronology Design concepts Industrial revolution. Universal exhibitions The Arts and Crafts (1850-1920) and Art Nouveau (1880-1910) movements Art Deco (1919-1940) Modernism (1910-1939) Mid-century Modernism (1940-1959) The Cultural Revolution (1960-1979) Postmodernism and Contemporaneity (1980) Design in Portugal Styling, redesign and kitsch concepts 1950s 1960s and 1970s | Forms of affirmation The protagonists 1980s and 1990s | Contemporary Design CONTRIBUTIONS TO THE THEORY AND PRACTICE OF DESIGN: WERKBUND, BAUHAUS AND ULM The design methodology in design The image of the profession Consumption and need Democratic design, author design, inclusive design Ecodesign, green design, recycling design and sustainable design Brands and designers The Design Object Distinction between artistic object and design object Introduction to design research Product analysis: making design product analysis sheets
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Main Bibliography |
BONSIEPE, G. (1992). Teoria e prática do design industrial. Elementos para um manual crítico. Lisboa: CPD. BURDEK, B. (2004). Diseño: historia, teoria e práctica del diseño industrial. Barcelona: Gustavo Gili. DARDI.D.;PASCA.,V. (2019). Manuali di Storia del Design. Milão. Silvana Editoriale GUIDOT, R. (2004). Histoire du Design de 1940 à Nos Jours. Paris: Ed. Hazan. HESKETT, J. (2005). DESIGN: A Very Short Introduction. Oxford University Press LÖBACH, B. (2001). Design Industrial: Bases para a Configuração dos Produtos Industriais. São Paulo. Edgard Blütcher MALDONADO, T (1999) Design industrial. Lisboa: EDIÇÕES 70. MANAÇAS, V.M.T. (2005). Percursos do design em Portugal. [texto policopiado]. Lisboa: [s.n.]. Dissertação para a obtenção do grau de doutor apresentada à FBA-UL. PAPANEK, V. (2007). Arquitectura e Design. Ecologia e Ética. Lisboa: Edições 70. BLACK, A; GRANT. R.G.; KAY, A.; WILKINSON, P. ; ZACZEK, I. (2015) DESIGN: THE DEFINITIVE VISUAL HISTORY. Londres. DK Publishers
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Language |
Portuguese. Tutorial support is available in English.
|