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Syllabus |
. Graphic exploration and consolidation of the structural language of Drawing applied to illustration for Industrial Design.
. Graphic and practical development of concepts such as Structure, Contour and Volume, Surfaces and Visual Texture, Shape and Surface, Movement and Symmetry.
. Theoretical and practical fundamentals of the Perspective and processes and techniques of rigorous representation, applied to the Design of observation.
. Techniques and materials in illustration for Industrial Design/ Product Design.
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Main Bibliography |
Arneihm, Rudolf. (1990). Art and Visual Perception (The New Version). Berkeley: University of California Press.
Arneihm, Rudolf. (1990). O Poder do Centro. Lisboa: Edições 70.
Berger, John. (1982). Modos de Ver. Lisboa: Edições 70.
Cunha, Luís Veiga da (2004), Lisboa: Fundação Calouste Gulbenkian
Gill, W. Robert. (2008). Perspectiva Criativa. Lisboa: Editorial Presença.
Huyghe, Rene (1986) O Poder da imagem. Lisboa: Ed 70.
Julián, Fernando, Albarracín, Jesus. (2006) Desenho para Designers Industriais. Lisboa: Editorial Estampa.
Lupton, E./ Miller, J. A. (1996). Design, Writing, Research. New York: Princeton Arch. Press.
Massironi, Manfredo. (1996). Ver pelo Desenho. Lisboa: Edições 70.
Rodrigues, Ana Leonor. (2003). Desenho. Lisboa: Quimera Editores, Lda.
White, Gwen. (2000). Perspectiva para Artistas, Arquitectos e Desenhadores. Lisboa: Ed. Presença.
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