| Code |
12745
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| Year |
1
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| Semester |
S2
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| ECTS Credits |
6
|
| Workload |
TP(90H)
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| Scientific area |
Design
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|
Entry requirements |
No entry requirements
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Mode of delivery |
Theoretical and practical
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Learning outcomes |
Awareness of the Observation and Memory Design as instruments of knowledge of the surrounding reality that contribute to the construction of visual and material culture, fundamental to project practice.
Understanding of the human body, its proportions, and possibilities of interpretation/ dramatization for fashion illustration purposes.
Experimentation around sketches, basic templates for costumes, and presentation drawings aiming at the communication of concepts and solutions.
Application of composition strategies and illustration techniques in the representation inherent to the Design Fashion project, from the scale of clothing to the accessory.
Mastery of the representation of simple fabrics, with relief or patterns, among other solutions such as dentelle or embroidery. Two-dimensional and volumetric drawing.
Knowledge of authors and their differentiated ways of communicating through fashion illustration.
Development of representation and personal expression capabilities.
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Syllabus |
- Representation of the human body static and moving. Proportion, position, framing. The rethinking of canons in the context of fashion illustration.
- Design as an exploratory instrument and communication of concepts in the project, in view and perspective.
- Illustration techniques based on the exploration of line, hatch, textures, with the support of different instruments.
- Visual communication composition strategies based on action-reaction polarity, namely Balance/Instability, Symmetry/Asymmetry, Regularity/Irregularity, Synthesis/Complexity, Economy/Profusion, Activity/Passivity, Subtlety/Audacity, Neutrality/Accentuation, Transparency/Opacity, Coherence/Variation, Realism/Distortion, Two-Dimensionality/Depth, Positive/Negative, Horizontality/Verticality, among others. Chromatic contrast.
- Sequential development of design processes in the construction of templates, modules, and patterns to be applied and final illustrations of coordinates of a collection.
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Main Bibliography |
Asensio, P. (Pub.) (2011). Essential Fashion Illustration: Color+Medium. Rockport Publishers.
Blackman, C. (2007). 100 years of Fashion Illustration. London: Laurence King Publishing.
Bryant, M.W. (2011). Fashion drawing: illustration techniques for fashion designers. London: Laurence King.
Dawber, M. (2011). Great big book of fashion illustration. London: Batsford.
Davies, H. (2010). Fashion designers' sketchbooks. London: Laurence King.
Dondis, D.A. (2003). Sintaxis de la imagen: Introduccion al alfabeto visual. Barcelona: Gustavo Gili Diseño.
Hagen, K. (2011). Fashion Illustration for Designers. 2nd ed. Otis College of Art and Design. New Jersey: Parson.
Lau, J. (2013). Diseño de accesorios. B. H. López ( trad.) . Barcelona: Gustavo Gili
Roig, G.M.(2007); Fernández, A. (2007). Desenho para designers de moda. Lisboa: Estampa.
Morris, B. (2006). Fashion Illustrator. London: Laurence King Publishing.
Wiedemann, J. (Ed) (2013). Illustration now! Köln: Taschen.
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Language |
Portuguese. Tutorial support is available in English.
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