Main Bibliography |
ALARCÃO, Jorge de (1993), História da Arte em Portugal. Do Paleolítico à Arte Visigótica. Lisboa: Alfa. ARGAN, Giulio Carlo (1994), Guia de História da Arte. Lisboa: Estampa. ECO, Umberto (dir.) (2009), História da beleza. Algés: Difel. ELKINS, James (2004), On the strange place of religion in contemporary art. New york: Routledge. ELKINS, James (2004), Pictures & tears: a history of people who have cried in front of paintings. New York: Routledge. ELKINS, James (2002), Stories of Art. New York: Routledge. ELKINS, James (2010), Visual Cultures. Bristol: Intellect. FREEDBERG, David (1992), El Poder de las Imágenes: estudios sobre la Historia e la Teoria de la Respuesta. Madrid: Catedra. GOMBRICH, E. H. (1972), A História da Arte. Rio de Janeiro: Zahar. GOMBRICH, E. H. (1999), Norma y Forma: estudios sobre el arte del Renascimiento. Madrid: Debate. GOMBRICH, E. H. (2003), Usos de las imágenes: estudios sobre la función social del arte y la comunicación. Barcelona: Debate
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Teaching Methodologies and Assessment Criteria |
In this CU the attendance, the participation in classes and the activities proposed throughout the semester will be accounted for evaluation. It will be proposed a theoretical group work, focusing on the reading and synopsis of a book proposed by the teacher. Due to the considerable extension of the proposed program contents, one global test will be carried out. The final grade will be calculated according to the following items: • Participation / Attendance - 10% • Group work - 40% • Global Assessment Test - 50%
Global Assessment Test: 4th January 2023
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