Main Bibliography |
ALARCÃO, Jorge de (1993), História da Arte em Portugal. Do Paleolítico à Arte Visigótica. Lisboa: Alfa. ARGAN, Giulio Carlo (1994), Guia de História da Arte. Lisboa: Estampa. ECO, Umberto (dir.) (2009), História da beleza. Algés: Difel. ELKINS, James (2004), On the strange place of religion in contemporary art. New york: Routledge. ELKINS, James (2004), Pictures & tears: a history of people who have cried in front of paintings. New York: Routledge. ELKINS, James (2002), Stories of Art. New York: Routledge. ELKINS, James (2010), Visual Cultures. Bristol: Intellect. FREEDBERG, David (1992), El Poder de las Imágenes: estudios sobre la Historia e la Teoria de la Respuesta. Madrid: Catedra. GOMBRICH, E. H. (1972), A História da Arte. Rio de Janeiro: Zahar. GOMBRICH, E. H. (1999), Norma y Forma: estudios sobre el arte del Renascimiento. Madrid: Debate. REINKE, A. D. (2019). Os Outros da Bíblia. Thomas Nelson Brasil.
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Teaching Methodologies and Assessment Criteria |
In this course, attendance and participation in classes and in the activities proposed throughout the semester will be taken into account for assessment. A theoretical group assignment will be proposed, focusing on the reading and synopsis of a book proposed by the lecturer. Given the considerable length of the syllabus, there will be an assessment test.
The final mark will be calculated according to the following weighting: - Participation/Attendance - 10% - Group work - 60% - Debates - 30%
Presentations: 10th and 17th December 2024 Delivery: 17th December 2024
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