|
Syllabus |
1. Introduction
1.1 Cinema and the art system: specificity, hybridity, hierarchy. The 7th Art of Ricciotto Canudo
1.2 Cinema and modernism: movements, manifestos, visionnaires.The Polyvision of Abel Gance
1.3 Cinema and the total artwork: discourses, texts, media. The Peter Greenaway's suitcases
2. Singularities
2.1 A sign: the monolith of 2001 – A Space Odyssey
2.2 A shot: the low-angle
2.3 A work: Histoire(s) du Cinema
2.4 A filmmaker: Andrei Tarkovski
2.5 An artist: Andy Warhol
2.6 A concept: Verfremdungseffekt
2.7 A style: chiaroscuro
2.8 A space: the white cube
2.9 A technique: Animation
2.10 A genre: Biopic
2.11 A function: production design
2.12 A phenomenon: Star Wars
3. Arts
3.1 Visual Arts
3.1.1 Painting
3.1.2 Photography
3.1.3 Comics
3.1.4 Design
3.1.5 Illustration
3.2 Music
3.3 Literary arts
3.3.1 Literature
3.3.2 Poetry
3.4 Scenic Arts
3.4.1 Theatre
3.4.2 Dance
3.4.3 Opera
3.5 Sculpture
3.6 Architecture
3.7 Video
3.7.1 Vídeo-art
3.7.2 Music Video
3.7.3 Videogame
|
|
Main Bibliography |
Canudo, Ricciotto (1995), L’Usine aux Images, Paris, Séguier
Dalle Vacche, Angela (1996), Cinema and Painting: How Art Is Used in Film, University of Texas Press
Dalle Vache, Angela (2012), Film, Art, New Media, Nova Iorque, Palgrave Macmillan
Jackson, Russell (2007), Shakespeare on Film, Cambridge, Cambridge University Press
Jenkins, Henry (2008), Convergence Culture, Nova Iorque, NYU Press
Schefer, J. L., Bénard da Costa, J., Cinema e Pintura, Lisboa, Cinemateca Portuguesa
Sitney, P. Adams (2014), The Cinema of Poetry, Oxford, Oxford University Press
Uroskie, Andrew (2014), Between the Black Box and the White Cube, Chicago, The University of Chicago Press
|