Learning outcomes |
At the end of this course, students should be able to: a) acquire basic knowledge about the historical and aesthetic evolution of cinema, namely the main movements, authors, aesthetics and technologies; b) articulate, in a reasoned and critical way, film production with contextual and structural elements of political, economic, social and cultural history. c) understand the evolution of the aesthetic and technological paradigms in the history of cinema.
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Main Bibliography |
Bordwell, D & K. Thompson. Film History. An Introduction. (1994) Cunha, P. & M. Sales. Cinema Português - um guia essencial (2013). Kovács, A. Screening Modernism. European Art Cinema 1950-1970. (2008). Mascarello, F. História do cinema mundial (2008). Nowell-Smith, G. The Oxford History of World Cinema. (1996). Stam, R. Introdução à teoria do cinema (2006).
Filmography Grifffith, DW. Birth of a Nation (1915) Murnau, F.W. Nosferatu (1922) Stroheim, E. Greed (1924) Keaton, B. Seven Chances (1925) Lang. F. M (1931) Chaplin. C. City Lights (1931) Dreyer, C. Vampyr (1932) Ford, J. Stagecoach (1939) Welles, O. Citizen Kane (1941) Wilder, B. Double Indemnity (1944) Rossellini, R. Roma, cidade aberta (1945) Sirk. D. All that Heaven Allows (1955) Godard. J-L. A Bout de Souffle (1960) Rocha, G. Deus e o Diabo na Terra do Sol (1964) Penn, A. Bonnie & Clyde (1967) Scorsese, M. Meanstreets (1973) Coppola, F. Apocalipse Now (1979) Kramer, R. Route One USA (1989) Haynes, T. Safe (1995)
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