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Film Theory I

Code 13092
Year 1
Semester S2
ECTS Credits 6
Workload OT(15H)/TP(45H)
Scientific area Cinema
Entry requirements Not applicable.
Mode of delivery Face-to-face.
Work placements Not applicable.
Learning outcomes 1. To determine the origins of cinema and its specificity as art.
2.Identify and master conceptually the main theories of Cinema.
3. Identify and creatively establish the relationship between cinematic theory and practice.
Syllabus 0. INTRODUCTION
Presentation of the historical evolution of film theory.
1. CINEMATOGRAPHIC ART
1.1 Genealogy of the cinematographic image. Notions of field, out-of-field, filmic and flat space.
1.2 Optical visuality VS haptic visuality.
1.3 Revisit the notion of plane: chemical image and electronic image.
1.4 Sound: cinema has never been silent. Sound cinema.
1.5 The invention of the cinematograph: “the myth of total cinema” and “from cinematograph to cinema”.
2. CINEMA STUDIES
2.1 Early writings: Munsterberg, Vachel Lindsay, Germaine Dulac and Jean Epstein
2.2 Theoretical paradigm of “silent” cinema: Formalism. Theoretical paradigm of “sound” cinema: realistic theory. Contemporary extension of the realist and formalist paradigms
2.4 Perspective on cinema: Open cinema: Portuguese documentaries from the 90s.
The cinema spectator. Contemporary theory: the cognitive approach. Emotions and genders.
2.5 A text/a film: theoretical discourse about films. Class presentations.
Main Bibliography ANDREW, J. Dudley (1976), The Major Film Theories: an introduction, London, Oxford University Press
AUMONT, J.et alii. (1983) A Estética do Filme, 2ª Ed., Papirus Editora [2002]
AUMONT, J. (1990), A Imagem, 8ª Ed., Papirus Editora [2004]
AUMONT, J. (2002) As Teorias dos Cineastas, Campinas, Papirus Editora, [2004]
BAZIN, A. (1975), O que é o Cinema?, Livros Horizonte, 1992
CASETTI, F. (1994), Teorías del Cine, Cátedra
ELSAESSER, T.s (1997), Early Cinema – Space, Frame, Narrative, BFI
ELSAESSER, T. & HAGENER, M. (2009), Film theory-an introduction through the senses, Routledge
KRACAUER, S. (1960), Theory of Film, The Redemption of Physical Reality, Princeton University Press [1997]
PASOLINI, P. P. (1972), Empirismo Hereje, Assírio & Alvim [1982]
STAM, R. (2000), Film theory – an introduction, Blackwell
TARKOVSKY, A. (1986), Sculping in Time, The Great Russian Filmmaker Discusses his Art, Austin, University of Texas Press [1998]
TUDOR, A. (1973), Teorias do Cinema, Edições 70 [1985]
Teaching Methodologies and Assessment Criteria Taking into account that there are classes presenting topics and discussing texts, the assessment consists of two assessment elements:

1) Written test (Will be consulted).

2) Written essay, with presentation in class, which consists of the following:

Part 1: Summary of a chapter of the book or scientific article;

Part 2: Presentation and framing of a film in this book/article chapter.
Language Portuguese. Tutorial support is available in English.
Last updated on: 2023-03-07

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