Syllabus |
IMAGE - Develop the technical capacity to illuminate - Natural and artificial light - Key light; Fill light, backlight -Aesthetic sense of light and shadow - the role of different image positions - choice of equipment - indoor and outdoor lighting techniques - Color Correction and grading SOUND - Direct sound capture - microphones - Digital recording systems - Mixing tables - Capture techniques - Digital audio workstations - Audio software - Import, Signal Routing, Editing Tools, Export - Effects - Analysis and application of dynamic, temporal, spatial and digital effects - Processing - Modulation - Spatialization of sound (stereo and binaural) - MIDI Samplers - Foley - ADR - Folding - Mixing / Mastering EDITING 1. Assembly Tools 2. The mounting path. 2.1 Approaches to viewing and selecting material. 3. Assembly Practice. 3.1. Practice of editing techniques applied to the development of points view, dialogs, duration, rhythm, music, voice off and silence. 3.2 Choice and struct
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Main Bibliography |
MASCELLI, Joseph V, The Five Cs of cinematography: Motion picture filming techniques, Silman-James, cop. 1965 ALTON, John, Painting With Light, University of California Press; First Edition,2013 BROWN, Blain, Cinematography: Theory and Practice: Image Making for Cinematographers and Directors; Focal Press; 3rd Edition, 2016 CHION, Michel, A audiovisão: Som e imagem no cinema, Lisboa, Texto & Grafia, 2011 FONSECA, Nuno, Introduc¸a~o a` Engenharia de Som, Lisboa, Lidel/FCA, 2007 CARVALHO, Fausto, Composição e Produção Musical com o PC, Lisboa, FCA, 2003 MARQUES, Miguel, Sistemas e Te´cnicas de Produc¸a~o A´udio, Lisboa, Lidel/FCA, 2014 BRICCA, Jacob (2017). Documentary Editing: Principles & Practice. Nova Iorque,Focal Press. CRITTENDEN, Roger (2006). Fine Cuts: The Art of European Film Editing. Oxford,Focal Press. FRIERSON, Michael (2018). Film and Video Editing Theory: How Editing Creates Meaning. Nova Iorque, Focal Press. HAINE, Charles (2020). Color Grading 101: Getti
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