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Learning outcomes |
At the end of this Unit, the student must be able to:
a) Acquire collective dynamics skills as well as practices of planning and execution of film projects, according to specific logistic constraints
b) Operationalize, in a practical context, the procedures and instruments previously acquired in the laboratory units, aiming to create a short film
c) Think critically, and in an organized way, on the work in progress
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Main Bibliography |
ALTON, John, Painting With Light, University of California Press; First Edition, 2013
BRICCA, Jacob (2017). Documentary Editing: Principles & Practice. Nova Iorque, Focal Press.
DAVIS, R. (2010). Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV (2dn ed.). Berklee Press.
MARQUES, M. (2014). "Sistemas e Técnicas de Produção Áudio”. Lisboa: Lidel/FCA
NOGUEIRA, L. PEREIRA, A. C. (2017) Ubicinema 2007-2017. Livros Labcom, Covilhã.
RABIGER, Michael. (2008). Directing: Film Techniques and Aesthetics. Amesterdão: Elsevier
SCHREIBMAN, Myrl A. (2012). The Indie Producers Handbook. NY: Watson-Guptill Publications
Filmography:
Intromissão (2016), de Francisco Morais, Miguel Pinto
Ligação Vermelha (2017, João Pais da Silva, André Rodrigues)
Desalma (2018, Catarina Mendes)
Da capo (2019, Mário de Oliveira)
Hibernáculo (2019, Lídia Neta)
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