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Syllabus |
1. Audiovisual Essay
1.1. Creation and Appropriation: intermedia and intertextual practice
1.2. Analysis and discussion of the texts "The Work of Theory in the Age of Digital Transformation", by Henry Jenkins, "The audiovisual essay as performative research", by Catherine Grant, and "O Potencial Crítica do Ensaio Audiovisual Digital", by Tiago Baptista.
1.3. Visualization and analysis of Audiovisual Essays.
2. Desktop Documentary
2.1. Intermediate practice in arts research
2.2. Analysis and discussion of the texts "Integrating Creative Practice and Research in the Digital Media Arts", by Andrew R. Brown and Andrew Sorensen, and "Suture Goes Meta: Desktop Documentary and its Narrativization of Screen-Mediated Experience", by Jirí Anger and Kevin B Lee
2.3. Viewing and analysis of Desktop Documentaries
3. Project monitoring
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Main Bibliography |
Jacobson, L. (Ed.) (1992). CyberArts – exploring art & technology. San Francisco, CA, US: Miller Freeman.
Landow, G. (Ed). (1994) . Hyper, Text, Theory. Baltimore: The Johns Hopkins University .
Murray, J.(1997). Hamlet on the Holodeck: The Future of Narrative in the Cyberspace.Cambridge: MIT Press
Jenkins, H. (2013). Spreadable media. New York, NY, US: New York University Press.
Manovich. L. (2001). The Language of New Media. Cambridge: MIT Press.
Lunenfeld, P. [Ed.] (2001). The digital dialetic - New essays on media [1999].Massachussets, MA, US: MIT Press.
Dixon, S, (2007) Digital Performance, Cambridge, MA & London: The Mit Press
Kaye, N. (2007), Multi-Media: Video, Installation, Performance, London: Routledge.
Maciel, K. (Org.) (2009). Transcinema. Rio de Janeiro: Contra Capa.
Balsom, E (2017). After Uniqueness: A History of Film and Video Art in Circulation. New York: Columbia University Press.
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