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Filmmakers Theory

Code 13570
Year 1
Semester S1
ECTS Credits 6
Workload OT(15H)/TP(45H)
Scientific area Cinema
Entry requirements Not applicable.
Mode of delivery Face-to-face.
Work placements Not applicable.
Learning outcomes 1. Present a comprehensive and broad understanding of the notion of "filmmaker"
2. Recognize the pertinence of the filmmaker's discourse and identify concepts and expressions of those discourses as well as specificities of the respective creative process
3. Check the possible articulation of the thought and poetics of the filmmakers with film theory.

Syllabus 1. The "filmmakers on film" approach. Extended notion of "filmmaker". Issues: scope, potential and limits of the approach in the scope of current film theory.
2. Viewing and discussion of films nominated for the EUFA-European University Film Award.
3. Elaboration of a scientific article in which the "filmmakers on film" approach is operationalized.
Main Bibliography Penafria, M.; Baggio, E.; Graça, A.R.; Araujo,D. Teoria dos cineastas, vols I, II e III. Disponíveis em: www.labcom-ifp.ubi.pt/tcineastas Salles, C. (2008), Crítica Genética - Fundamentos dos estudos genéticos sobre o processo de criação artística, EDUC Aumont,J. (2002), As Teorias dos Cineastas, Papirus Editora, 2004. ____ (2008), "Pode o filme ser um ato de teoria?" in Revista Educação e Realidade, no 33,(1), jan/jun. Deleuze, G. (1999), O ato de criação, Palestra de 1987, Edição brasileira: Folha de São Paulo Alonso-García, L. (2013), El saber hacer del proceso fílmico: del cineasta al filmólogo, in Archivos de la Filmoteca, 71 Gomes, W. (2004),La poética del cine y la cuestión del método en el análisis fílmico, Revista Significação. Filmography Filmes nomeados ao EUFA-European University Film Award, 2021: Apples, de Christos Nikou; Flee, de Jonas Poher Rasmussen; Great Fredom, de Sebastian Meise; L'événement, de Audrey Diwan; Quo Vadis Aida?, de Jasmila Žbanic.
Teaching Methodologies and Assessment Criteria The uc is taught using the discussion of texts previously read by students; viewing of the films nominated for the EUFA and follow-up sessions of the work in article form. The evaluation consists of two elements: 1) presentation and argumentation in favor of a film being awarded by the UEFA 2) writing of an article that exercises the "filmmakers on film" approach. The first element is individual and the second is individual or co-authored.

Language Portuguese. Tutorial support is available in English.
Last updated on: 2021-10-24

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