Code |
13588
|
Year |
1
|
Semester |
S2
|
ECTS Credits |
6
|
Workload |
OT(15H)/TP(45H)
|
Scientific area |
Cinema
|
Entry requirements |
Nothing to add.
|
Mode of delivery |
Presential.
|
Work placements |
Not suitable.
|
Learning outcomes |
This course aims to approach cinema in a philosophical perspective. It is intended to question cinema from feminist film studies, relating cinema, representativeness and human rights.
|
Syllabus |
- Proposals for a common genealogy of human rights and feminisms. The philosophical and political foundation of women's rights and the emergence of the seventh art. - What is cinema? Do art and cinema think? How to create a philosophy of cinema? - The first female filmmakers: the cases of Alice Guy Blaché (France, 1863 – 1968), Lois Weber (USA, 1879 – 1939) and Germaine Dulac (France, 1882 – 1942). - Feminism applied to cinema. Reflection on proposals by Laura Mulvey, Claire Johnston, Annette Kuhn, Teresa de Lauretis and Christine Gledhill, among others. - Criticism of classic Hollywood cinema and the perpetuation of stereotypes. The spectator as voyeur. - Proposing alternatives to exploring pleasure and sexuality on the screen. - The use of self-writing in the creation of contemporary documentaries. - From the universal spectator to the need to create own identification mechanisms.
|
Main Bibliography |
Holanda, K. (org.), 2019). Mulheres de cinema. Rio de Janeiro: Numa Editora. Kuhn, A. (1991). Women’s pictures, Feminism and Cinema // Cine de mujeres, Feminismo y Cine. Madrid: Catedra, Signo e Imagen. Ranciére, J. (2010). O espectador emancipado. Lisboa: Orfeu Negro. Sontag, S. (2015). Olhando o sofrimento dos outros. Lisboa: Quetzal Editores.
Website Speculum: https://speculum.labcom.ubi.pt/
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Language |
Portuguese. Tutorial support is available in English.
|