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Main Bibliography |
BEAUCHAMP, Robin, Designing sound for animation, New York, Focal Press, 2013
CHION, Michel, A audiovisão: som e imagem no cinema, Lisboa, Texto & Grafia, 2011
COOK, Nicholas, Analysing Musical Multimedia, Oxford, Clarendon Press, 1998
HENRIQUE, Luís, Acústica Musical, Lisboa, Fundação Calouste Gulbenkian, 2007
HUBER, David M., Modern Recording Techniques, New York, Focal Press, 2005
SONNENSCHEIN, David, Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema, Studio City, MWP, 2001
YEWDALL, David, The Practical Art of Motion Picture Sound, New York, Focal Press, 2007
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Teaching Methodologies and Assessment Criteria |
- With a weight of 70% in the final evaluation, two assignments are expected (30+40%): one essay (audiovisual or text) focused on sound, the other being a soundtrack (all sounds) for moving images.
- The remaining 30% covers attendance, class participation, with special importance given to the completion of the proposed practical work (focused on the use of reference procedures). Students must be present in at least 10 classes.
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