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Learning outcomes |
At the end of this course, students should be able to:
a) acquire basic knowledge about the historical and aesthetic evolution of cinema, namely the main movements, authors, genres, aesthetics and technologies;
b) articulate, in a reasoned and critical way, film production with contextual and structural elements of political, economic, social and cultural history.
c) understand the evolution of the aesthetic and technological paradigms in the history of cinema.
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Main Bibliography |
Bordwell, D & K. Thompson. Film History. An Introduction. (2022)
Cook, D.A. (1996). A History of Narrative Film. New York and London: W. W. Norton & Company
Dibeltulo, S & Barrett, C. Rethinking Genre in Contemporary Global Cinema (2018)
Eisenstein, S. (2020). Reflexões de um Cineasta. Silveira: Book Builders
Elsaesser, T. European Cinema: face to face with Hollywood (2005).
Keith Grant, Barry (Ed.). Film Genre Reader IV. (2012)
Filmography
Porter, E.S. Life of an American Fireman (1903)
Murnau, F.W. Nosferatu (1922)
Buñuel, L. Un Chien Andalou (1929)
Dulac, G. The Seashell and the Clergyman (1928)
Eisenstein, S. O Encouraçado Potemkin (1925)
Ford, J. Stagecoach (1940)
Sirk, D. All That Heaven Allows (1955)
Lang, F. M (1931)
Kelly, G. & Donen, S. Singin’ in the Rain (1952)
Fellini, F. La Strada (1954)
Godard, J-L. À Bout de Souffle (1960)
Sembène, O. La Noire de... (1966)
Rocha, G. Deus e o Diabo na Terra do Sol (1964)
Pawlikowski, P. Ida (2013)
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