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Learning outcomes |
The main objective of this course unit is to understand the specificity of cinematic narrative in relation to others (literary, dramatic, etc.).
By the end of this course unit, the student should be able to:
1. Identify the elements and principles of cinematic narrative.
2. Understand the similarities, differences and relations between the cinematic, theatrical and literary narratives.
3. Understand the differences between fictional and documental narratives.
4. Identify the cinematic narrative in its thematic and formal multiplicity.
5. Develop the critical spirit in the analysis and assessment of cinematic narratives.
6. Do research and manage scientific information.
The learning objectives are in line with the teaching methods: exposition of theory, illustration with examples and exercises to practice it.
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Main Bibliography |
Bordwell, D. (1985). Narration in the Fiction Film. Routledge.
Genette, G. (1972). Discours du Récit. Seuil.
Mancelos, J. de. (2025). Introdução à narrativa cinematográfica. Colibri.
Moine, R. (2008). Cinema Genre. Blackwell.
Phillips, W. H. (2005). Film: An Introduction (3rd ed.). St. Martin’s P.
Pramaggiore, M., & Wallis, T. (2005). Film: A Critical Introduction. Laurence King.
Prince, G. (1982). Narratology: The Form and Functioning of Narrative. Mouton.
Stam, R. (2006). Literature through Film. Peking UP.
Allen, W. (1979). Manhattan. Jack Rollins Prod.
Coppola, S. (2003). Lost in Translation. Focus Features.
Hitchcock, A. (1958). Vertigo. Alfred J. Hitchcock Prod.
Jeunet, J. P. (2001). Le Fabuleux Destin d’Amélie Poulain. Claudie Ossard.
Kubrick, S. (1968). 2001: A Space Odyssey. MGM.
Malick, T. (1973). Badlands. Warner.
Scorsese, M. (1976). Taxi Driver. Columbia.
Scott, R. (1982). Blade Runner. Warner.
Tykwer, T. (1998). Lola Rennt. X-Filme Creative Pool.
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