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Syllabus |
0. INTRODUCTION
Presentation of the historical evolution of film theory.
1. THE ART OF CINEMA
1.1 Genealogy of the cinematographic image. Notions of field, off-field, filmic space, and shot.
1.2 Optical visuality VS haptic visuality.
1.3 Sound: cinema was never silent. Sound cinema.
1.4 On the invention of the cinematograph and the supposed invention of cinema: Impressionism and painting, "the myth of total cinema," and "from the cinematograph to cinema."
2. STUDIES ON CINEMA
2.1 Theoretical paradigm of "silent" cinema: Formalism. Theoretical paradigm of "sound" cinema: realist theory.
2.2 Overcoming the realist and formalist paradigms. Gilles Deleuze: the movement-image, the time-image.
2.3 Writings on cinema by filmmakers.
2.5 A text/a film. Classroom presentations.
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Main Bibliography |
ANDREW, J. Dudley (1976), The Major Film Theories: an introduction, London, Oxford University Press
AUMONT, J.et alii. (1983) A Estética do Filme, 2ª Ed., Papirus Editora [2002]
AUMONT, J. (1990), A Imagem, 8ª Ed., Papirus Editora [2004]
AUMONT, J. (2002) As Teorias dos Cineastas, Campinas, Papirus Editora, [2004]
BAZIN, A. (1975), O que é o Cinema?, Livros Horizonte, 1992
CASETTI, F. (1994), Teorías del Cine, Cátedra
ELSAESSER, T.s (1997), Early Cinema – Space, Frame, Narrative, BFI
ELSAESSER, T. & HAGENER, M. (2009), Film theory-an introduction through the senses, Routledge
KRACAUER, S. (1960), Theory of Film, The Redemption of Physical Reality, Princeton University Press [1997]
PASOLINI, P. P. (1972), Empirismo Hereje, Assírio & Alvim [1982]
STAM, R. (2000), Film theory – an introduction, Blackwell
TARKOVSKY, A. (1986), Sculping in Time, The Great Russian Filmmaker Discusses his Art, Austin, University of Texas Press [1998]
TUDOR, A. (1973), Teorias do Cinema, Edições 70 [1985]
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