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Learning outcomes |
In the realm of this Course the student should acquire knowledge that will allow him/her to identify, select and implement the most appropriate strategies and production methodologies to the nature and requirements of each one of the projects. Thus, one should be able to:
1. Understand the various stages of film production, from concept development to the strategy of promotion, distribution and circulation of the piece
2. Frame the production in a specific social, political, cultural and economic context
3. Experiment with different approaches in film production, and with the tools meant for technical production procedures
4. Prepare a production dossier
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Main Bibliography |
CUNHA, Paulo & SALES, Michelle (2013). Cinema Português: um Guia Essencial. São Paulo: SESI-SP.
HONTHANER, Eve Light (2010). The Complete Film Production Handbook. Oxford: Elsevier.
LYONS, Suzanne (2012). Indie Film Producing. Oxford: Focal Press.
OBST, Lynda (1997). Hello, He Lied & Other Tales from the Hollywood Trenches. UK: Random House.
SCHREIBMAN, Myrl A. (2012). The Indie Producers Handbook. NY: Watson-Guptill Publications.
VACHON, Christine (2002). Shooting to Kill. NY: Quill.
FILMOGRAFIA:
Aquele querido mês de agosto (2008), Miguel Gomes
Atos de Cinema (2018), Jorge Cramez
Burden of Dreams (1982), Les Blank
Hearts of Darkness: A Filmmaker’s Apocalypse (1991), Eleanor Coppola
Lost in La Mancha (2002), Louis Pepe e Keith Fulton
O Fato completo ou à procura de Alberto (2001), Inês de Medeiros
Sacavém (2019), Júlio Alves
The Making of a Legend: Gone with the Wind (1988), David Hinton
Trabalho de Ator, Trabalho de Atriz (2011), João Canijo
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