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Learning outcomes |
At the end of this Unit, the student must be able to:
a) Acquire collective dynamics skills as well as practices of planning and execution of film projects, according to specific logistic constraints
b) Operationalize, in a practical context, the procedures and instruments previously acquired in the laboratory units, aiming to create a short film
c) Think critically, and in an organized way, on the work in progress teams.
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Main Bibliography |
FELANDO, Cynthia (2015). Discovering Short Films The History and Style of Live-Action Fiction Shorts.
PATZ, Deborah (2010). Film Production Managment 101. Studio City, CA: .Michael Wise Productions.
RABIGER, Michael (2004) Directing the Documentary, 4ª Edição, Focal Press
STEVEN, Katz D. (1991). Film Directing, Shot by Shot, Visualizing from Concept to Screen, Michael Wise Productions.
Filmografia:
O Pedido de Emprego (2000), Pedro Caldas
Domingo (2005), José Filipe Costa
Fim-de-Semana (2007), Cláudia Varejão
A Felicidade (2008), Jorge Silva Melo
Pele de Cordeiro (2015), Flávio Ferreira
A brief history of Princess X (2016), Gabriel Abrantes
Thrusday Night (2017), Gonçalo Almeida
Teus Braços, Minhas Ondas (2018), Débora Gonçalves
Da Capo (2019), Mário de Oliveira
Alva (2018), Guilherme Alvão Nogueira e Jorge Lucas
Criados na Serra (2016), Maria Inês Santos
Mais azul (2019), Apolo Santos, Laura Tovela
Flor de Lótus (2018), Marisa Alves Pedro et alli.
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