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Main Bibliography |
BONET, E.; DOLS, J.; MERCADER, A. ; MUNTADAS, A.: En torno al vídeo. Gustavo Gili. Barcelona, 1980.
BONET, E.: La Instalación Como Hipermedio (Una Aproximación), in Media Culture, Barcelona, L’Angelot, 1995.
BURCH, N.: Theory of Film Practice. Princeton University Press, 1992.
BURCH, N.: La lucarne de l'infini : Naissance du langage cinématographique. L'Harmattan , 2007.
MACHADO, A.: Pré-cinemas e pós-cinemas. São Paulo, Papirus Editora: 2005.
PEREZ ORNIA, J. R.: El arte del video. Introducción a la historia del video experimental. RTVE y Ediciones del Serbal, Barcelona, 1991.
RIESER, M.; ZAPP, A.: New Screen Media, Cinema/Art/Narrative. London, British Film Institute, 2002.
RUSSETT, R.; STARR, C.: Experimental Animation. Da Capo Press, 1988.
YOUNGBLOOD, G.: Expanded Cinema. E. P. Dutton & Co., Inc. New York, 1970.
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Teaching Methodologies and Assessment Criteria |
Based on the objectives and the skills planned for this course unit, activities focus on theoretical classes with presentations, viewing of examples, and discussion, as well as practical classes dedicated to project development (project-based learning). Assessment is continuous and based on the development and presentation of projects. Failure to present them on the dates agreed upon with the students will be considered as withdrawal.
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