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Learning outcomes |
This class aims at developing practical film skills, namely the ability to visually idealize the film even before filming and to acquire practical experience in planning, conceptualizing, filming and editing scenes and sequences, both through scene decoupage as well as sequence shots, using the camera as a meaning-creating element in the construction of the cinematographic narrative.
By the end of the semester students must achieve the following objectives:
1. Master the specificities of each phase of cinematographic creation, from the concept to the conception of the final film;
2. Know and apply the elements and rules of cinematographic language;
3. Explore various creative approaches to the script;
4. Handle image and sound equipment autonomously, in design, capture and post-production;
5. Critically analyze the work developed.
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Main Bibliography |
ALVES, P. & GARCIA, F. (Eds). (2017). Oficios del cine: manual para prácticas cinematográficas. Madrid: Icono 14/CITCEM.
CHION, M. (2011). A audiovisão: Som e Imagem no Cinema. Lisboa: Texto & Grafia.
KATZ, S. (1990). Film Directing Shot by Shot: visualizing from concept to screen. Stoneham: Micahel Wise Productions.
MASCELLI, Joseph V, The Five C's of cinematography: Motion picture filming techniques, Silman-James, cop. 1965
MURCH, W. (2001). In The Blink Of An Eye – A Perspective on Film Editing. Los Angeles: Silman-James P.
PROFERERS, N. T. (2008). Film Directing Fundamentals. Waltham: Focal P.
Meshes of the Afternoon (1944), Maya Deren
O Coro (1982), Abbas Kiarostami
Six Shooter (2004), Martin McDonagh
Slimane (2023), Carlos Pereira
Tão pequeninas, tinham o ar de serem já crescidas (2024), Tânia Dinis
Tramway (1966), Krzysztof Kieslowski
Un Chant D'Amour (1950), Jean Genet
Une Femme Douce (1969), Robert Bresson
Wasp (2003), Andrea Arnold
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