Main Bibliography |
ATKINS, R.(2013). Artspeak: A Guide To Contemporary Ideas, Movements, and Buzzwords, 1945 To the Present. New York: Abbeville Press BELTING, H., Likeness and presence (Chicago 1994) BOURRIAUD, N. (2008) Heterocronías. Tiempo, Arte y arqueologías del Presente. Murcia: Cendeac DUPAIGNE, Bernard Dupaigne, Le scandale des arts premiers. (Paris 2006) GIELEN, P., The Murmuring of the Artistic Multitude: Global Art, Memory and Post-Fordism. Valiz: Amsterdam (2009). DANTO, A., After the end of art.Contemporary Art and the Pale of History (Princeton 1997) ELDERFIELD, J. (ed.), Imagining the Future of the Museum of Modern Art (New York 1998) MEYER, R. (2013). What Was Contemporary Art?. Cambridge: MIT Press PAÏNI, D., Le temps exposé. Le cinéma de la salle au musée. Cahiers du Cinema/Essais, 2002 PARENTE, A. 2012. Cinema em trânsito. Cinema, arte contemporânea e novas mídias. Rio de Janeiro: Azougue. KRAUSS, R. The originality of Avant Garde and other Modernist myths, MIT Press, Cambridge 1986
|
Teaching Methodologies and Assessment Criteria |
Classes will assume the form of seminars, focusing on the presentation and discussion, by the teacher and the students, of the topics listed on the syllabus (considering the recommended reading materials). Some sessions will bring guests, whose contribution aims to highlight and enhance the goals of the course.
|