| Código |
12615
|
| Ano |
1
|
| Semestre |
S1
|
| Créditos ECTS |
6
|
| Carga Horária |
OT(15H)/TP(45H)
|
| Área Científica |
Arte e Design
|
|
Mode of delivery |
Face-to-face.
|
|
Work placements |
Not applicable.
|
|
Learning outcomes |
. Understanding visual codes related to the graphic and visual presentation of projects and products in Industrial Design.
. Formal apprehension of processes and techniques of rigorous representation in hand-free style.
. To develop effective skills of representation and understanding of applied Drawing language.
|
|
Syllabus |
. Graphic exploration and consolidation of the structural language of Drawing applied to illustration for Industrial Design.
. Graphic and practical development of concepts such as Structure, Contour and Volume, Surfaces and Visual Texture, Shape and Surface, Movement and Symmetry.
. Theoretical and practical fundamentals of the Perspective and processes and techniques of rigorous representation, applied to the Design of observation.
. Techniques and materials in illustration for Industrial Design/ Product Design.
|
|
Teaching Methodologies and Assessment Criteria |
Theoretical / practical sessions in the exploration of the program, along with tutorial process supported in individual practices and in the analysis of visual characteristics and reference graphic work.
The evaluation is carried out in a continuous way, in the exercises proposed in the hours of contact. The work resulting from field work proposals will also be evaluated.
The evaluation is carried out in a continuous way, through the analysis of the successive exercises proposed, carried out in the classroom.
It is required to deliver 100% of the proposed exercises. Deliveries out of time will be penalized by 50%. The absence of each delivery implies a zero evaluation in the same, being assigned the evaluation of 0.
The course unit does not include evaluation under examination.
|
|
Main Bibliography |
Arneihm, Rudolf. (1990). Art and Visual Perception (The New Version). Berkeley: University of California Press.
Arneihm, Rudolf. (1990). O Poder do Centro. Lisboa: Edições 70.
Berger, John. (1982). Modos de Ver. Lisboa: Edições 70.
Cunha, Luís Veiga da (2004), Lisboa: Fundação Calouste Gulbenkian
Gill, W. Robert. (2008). Perspectiva Criativa. Lisboa: Editorial Presença.
Huyghe, Rene (1986) O Poder da imagem. Lisboa: Ed 70.
Julián, Fernando, Albarracín, Jesus. (2006) Desenho para Designers Industriais. Lisboa: Editorial Estampa.
Lupton, E./ Miller, J. A. (1996). Design, Writing, Research. New York: Princeton Arch. Press.
Massironi, Manfredo. (1996). Ver pelo Desenho. Lisboa: Edições 70.
Rodrigues, Ana Leonor. (2003). Desenho. Lisboa: Quimera Editores, Lda.
White, Gwen. (2000). Perspectiva para Artistas, Arquitectos e Desenhadores. Lisboa: Ed. Presença.
|
| Language |
Portuguese. Tutorial support is available in English.
|