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Syllabus |
IMAGE
- Developing technical lighting skills
- Aesthetic sense of light and shadow
- Choice of equipment
- Indoor and outdoor lighting techniques
- Color correction and grading
SOUND
1.1 Direct sound capture
1.2 Microphones
2. Digital Audio Workstations
3. Effects
4. Editing MIDI information and using samplers
5. Foley
6. ADR - Dubbing
7. Blending
8. Mastering
EDITING
Continuity in the approach to editing tools, Workflows in the dynamics of the editing program to operate, Da Vinci, Premiere, Final Cut, Avid.
Editing as an agent of space and time in the film, structuring and creating a language.
From decoupage to montage
Editing and the evolution of practices, shots within shots
Curricular exercises / assessment
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Main Bibliography |
MASCELLI, Joseph V, The Five Cs of cinematography: Motion picture filming techniques, Silman-James, cop. 1965
ALTON, John, Painting With Light, University of California Press; First Edition,2013
BROWN, Blain, Cinematography: Theory and Practice: Image Making for Cinematographers and Directors; Focal Press; 3rd Edition, 2016
CHION, Michel, A audiovisão: Som e imagem no cinema, Lisboa, Texto & Grafia, 2011
BRICCA, Jacob (2017). Documentary Editing: Principles & Practice. Nova Iorque,Focal Press.
CRITTENDEN, Roger (2006). Fine Cuts: The Art of European Film Editing. Oxford,Focal Press.
CHION, Michel, A audiovisão: Som e imagem no cinema, Lisboa, Texto & Grafia, 2011
FONSECA, Nuno, Introdução Engenharia de Som, Lisboa, Lidel/FCA, 2007
CARVALHO, Fausto, Composição e Produção Musical com o PC, Lisboa, FCA, 2003
MARQUES, Miguel, Sistemas e Te´cnicas de Produc¸a~o A´udio, Lisboa, Lidel/FCA, 2014
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