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Teaching Methodologies and Assessment Criteria |
Eminently practical classes, supported by descriptive documents of aesthetic aspects associated with human listening and storytelling.
Essential aspects of sound physics, acoustics and psychoacoustics are always taken into account.
Mastery of essential tools for sound capture and editing, mixing and aesthetic development is expected.
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Main Bibliography |
BEAUCHAMP, Robin, Designing sound for animation, New York, Focal Press, 2013
CHION, Michel, A audiovisão: som e imagem no cinema, Lisboa, Texto & Grafia, 2011
COOK, Nicholas, Analysing Musical Multimedia, Oxford, Clarendon Press, 1998
HENRIQUE, Luís, Acústica Musical, Lisboa, Fundação Calouste Gulbenkian, 2007
HUBER, David M., Modern Recording Techniques, New York, Focal Press, 2005
SONNENSCHEIN, David, Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema, Studio City, MWP, 2001
YEWDALL, David, The Practical Art of Motion Picture Sound, New York, Focal Press, 2007
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