| Código | 
                            
                                16962
                             | 
                        
                        
                            | Ano | 
                            
                                1
                             | 
                        
                        
                            | Semestre | 
                            
                                S1
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                            | Créditos ECTS | 
                            
                                6
                             | 
                        
                        
                            | Carga Horária | 
                            
                                OT(15H)/TP(45H)
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                            | Área Científica | 
                            
                                Cinema
                             | 
                        
                        
                        
                        
                        
                        
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Learning outcomes | 
	
                                At the end of this course, students should be able to: 1. Analyse a film using a specifically cinematographic language; 2. Recognise and identify the main movements, authors, aesthetics and technologies in the History of Cinema; 3. Critically distinguish cinema as an art, a media and/or a product of a creative industry; 4. Socially, politically and culturally contextualise the most remarkable film works, movements and production systems in the History of Cinema; 5. Establish a dialogue between film and gender elements present in the work, viewing Cinema as a means of representing the different social roles attributed to men and women throughout the 20th century and the beginning of the 21st century.
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                                Syllabus | 
	
                                     - The beginning of the History of Cinema - The transition from silent to sound cinema - Filmology - Cinema in World War II - Post-World War II cinema and the attempt to reconstruct memory - Film noir - Alfred Hitchcock's suspense - The 1960s, the Nouvelle Vague and New Portuguese Cinema - Criticism of classic Hollywood cinema - Transnational perspectives on contemporary cinema
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                                Teaching Methodologies and Assessment Criteria | 
	
                                     Reading and analysis of reference texts. Viewing and analysis of excerpts from cinematographic works. Development and monitoring of practical work based on theoretical approaches. Continuous evaluation - Presentation in class about one of the films in the mandatory filmography: 30% of the final grade - Frequency: 30% + 30% of the final grade - Attendance and participation: 10% of the final grade
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                                Main Bibliography | 
	
                                - Aumont, Jacques & Marie, Michel (2009). Dicionário Teórico e Crítico do Cinema. Lisboa: Texto e Grafia.  - Cousins, Mark (2005). Biografia do Filme. Lisboa: Plátano.  - Mascarello, Fernando (2012). História do Cinema Mundial. Campinas, S.P.: Papirus Editora. - Mulvey, Laura (1975). Visual Pleasure and Narrative Cinema. Screen 16.3. 
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                            | Language | 
                            
                                Portuguese. Tutorial support is available in English.
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